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Following the NYC siren song, the trio was pulled from their respective cities — Piya from London, Nya from DC, and Sabrina from NYC — to Manhattan’s downtown dance floors, through the Lower East Side floorboards, and up to the rooftops of Harlem, where their friendship was formed on one momentous, kismet eve.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSilver\u003c\/em\u003e was entirely written and recorded live to tape at Killion Sound studio in North Hollywood earlier this year and produced by Sergio Rios (of Orgone). While these analog recording techniques help root Say She She’s sound in a bedrock of tonal warmth that only tape can achieve, it is also their process of cutting the track in the moment and capturing the magic of communal creativity that has seen their sound described as “a glorious overload of joyful elation and spiritual elevation” (MOJO) and “infused with the wonky post-disco spirit of early '80s NYC” (The Guardian). Musical inspirations include Rotary Connection, Asha Puthli, Liquid Liquid, Grace Jones and Tom Tom Club.\u003cbr\u003e\u003cbr\u003eUltimately, \u003cem\u003eSilver\u003c\/em\u003e oozes with quirk and adventure and embraces the multifaceted nature of what it means to be a modern femme. Say She She fully embrace their role as beauticians, actively reminding people of the inherent beauty in the world. They skillfully employ double entendres and humor to encourage open dialogue and fearlessly address important matters that demand attention.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n  \u003cli\u003eReeling\u003c\/li\u003e\n  \u003cli\u003eDon't You Dare Stop\u003c\/li\u003e\n  \u003cli\u003eAstral Plane\u003c\/li\u003e\n  \u003cli\u003eC'est Si Bon\u003c\/li\u003e\n  \u003cli\u003eEntry Level\u003c\/li\u003e\n  \u003cli\u003ePassing Time\u003c\/li\u003e\n  \u003cli\u003eThink About It\u003c\/li\u003e\n  \u003cli\u003eQuestions\u003c\/li\u003e\n  \u003cli\u003eForget Me Not\u003c\/li\u003e\n  \u003cli\u003eNever Say Never\u003c\/li\u003e\n  \u003cli\u003eThe Water\u003c\/li\u003e\n  \u003cli\u003eEcho In The Chamber\u003c\/li\u003e\n  \u003cli\u003eBleeding Heart\u003c\/li\u003e\n  \u003cli\u003eFind A Way\u003c\/li\u003e\n  \u003cli\u003eNorma\u003c\/li\u003e\n  \u003cli\u003eSilver\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Secretly","offers":[{"title":"Default Title","offer_id":41341066477619,"sku":"674862662067","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/5935\/9283\/files\/SeasickMock-CokeBottleClearw_YellowSwirl.jpg?v=1689862407"},{"product_id":"45588-33393","title":"Yautja - The Lurch [LP - Violet]","description":"\u003cp\u003eRelease Date: 5\/21\/2021\u003c\/p\u003e\n\n\u003cp\u003eLimited colored vinyl LP pressing. 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Recording as a three-piece on Sin Querencia, guitarist Nate Madden recorded the majority of bass along with multi-instrumentalist bandmates Rae Amitay and Matt Korajczyk. The trio have evolved their collaboration to forge a cacophonous maelstrom of jagged metal intricacy with a surgical clarity, seeing the combination of Madden on guitar and Korajczyk on drums at its most centered and engaging. \u003cbr\u003e\nAmitay gives another heart-rending and diverse vocal performance over the frenzied tempest the band lay down, riven with a focused and energized hostility. They also utilize dulcet and haunting layers of clean vocals on opener “Bioluminescent Toxins” in a quieter moment demonstrating the band’s dynamic abilities and desire to broaden their sonic horizons. Amitay’s thought-provoking lyrical range weaves through visceral subject matter, threading together allegory and allusion in vehement admonishments of hypocrisy, as well as confronting the brutal complicity and complacency in current reality.\u003cbr\u003e\nFeaturing cover art by the band’s longtime artist of choice Kikyz1313 and aggressively muscular production from Pete Grossmann of Chicago’s Bricktop Recording, Sin Querencia marks a new milestone in Immortal Bird’s now ten-plus year history as the band’s most structurally extreme and wide-ranging performance to date.\u003c\/p\u003e","brand":"Revolver","offers":[{"title":"Default Title","offer_id":42861016973363,"sku":"SPIN 207 X","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/5935\/9283\/files\/immortal-bird-sin-querencia-12-lp-pink-black-merge-b2_3_09093915-4a9b-48f3-9f7a-206d9565c2e4.jpg?v=1733944603"},{"product_id":"45726-48147745","title":"Mulatu Astatke - Mulatu of Ethiopia [LP]","description":"\u003cp\u003eRelease Date: 5\/19\/2017\u003c\/p\u003e\n\n\u003cp\u003eStrut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. 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So it was an interesting time for the band to undergo a stylistic sea change. Looking beyond their fellow guitar slingers, Minus the Bear instead found inspiration in the more adventurous pop producers of the era and went full steam ahead with a revamped sound of glitchy guitar loops, modern R\u0026amp;B rhythms, and swirling electronic tapestries on their 2005 sophomore album Menos el Oso. The stylistic shift was a gamble in the waning years of indie rock orthodoxy, but the risk paid off and Minus the Bear's popularity exploded. Twenty years later, Menos el Oso still sounds fresh and vibrant while simultaneously capturing the essence of a specific era where the rules and formulas of guitar-forward music were breaking down. To celebrate the album's anniversary, Suicide Squeeze Records and Minus the Bear are offering up Menos el Oso (Deluxe 20th Anniversary Edition), featuring an expanded tracklist including five previously unreleased demos.\n\nThe eleven tracks comprising the original Menos el Oso remain untouched for this deluxe edition. From the moment the needle hits on \"The Game Needed Me,\" the listener is reminded that there's no need to mess with keyboardist Matt Bayles' air-tight engineering and production on the album. The template is established right away: David Knudson's staccato guitar samples and pedal modulations, Erin Tate's souped-up club beats, Cory Murchy's syncopated backbeat basslines, Bayles's heady synth hooks, and guitarist\/vocalist Jake Snider's soulful guitar lines and trademark croon. There's an element of revelry and melancholy across the entire album as Snider casually describes vignettes from the band's first overseas tour-a six-date tour of Spain. These lyrical scenes drape the album in the excitement, yearning, aimlessness, and exoticness Hemingway captured in his rendering of The Lost Generation in The Sun Also Rises, achieving a similar dichotomous fusion of celebration and reflection. The centerpiece of the album-\"Pachuca Sunrise\"-encapsulates this duality with such enduring and profound power that one cannot talk about indie rock in the first decade of the new millennium without including it in the pantheon. Songs like \"Drilling\" and \"The Fix\" further reinforce the lyrical and musical themes of the album as they describe an American contemplating the distance between their home country and the foreign shores of the Mediterranean Sea against a backdrop of chirping guitars and drum patterns that fuse the poptimist pulse of the era with the sweaty subterranean rock embedded in the band's pedigree. Menos el Oso (Deluxe 20th Anniversary Edition) expands the original LP into a double album featuring five demos mastered by Ed Brooks at Resonant Mastering on side C and an etching by Cory Murchy on side D. These early incarnations of four Menos el Oso tracks and \"I'm Totally Not Down With Rob's Alien\" from the They Make Beer Commercials Like This EP showcase how razor-sharp and sonically satisfying Minus the Bear were even when their songs were still being workshopped. As companion pieces to the album, these alternate takes shine a light on the creative process of a band undergoing a sonic evolution while also just being solid standalone tracks. In addition to the expanded tracklist and side D etching, the vinyl version of Menos el Oso (Deluxe 20th Anniversary Edition) features updated artwork in a gatefold jacket with a matte gloss and spot UV varnish, a 24-page photo booklet, and a vinyl cut by Bernie Grundman.\u003c\/p\u003e","brand":"Secretly","offers":[{"title":"Default Title","offer_id":43582140481587,"sku":"803238082516","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/5935\/9283\/files\/4437609-3408468_95c63a5e-42fb-4a08-8ff5-3b87f723513b.jpg?v=1755544788"},{"product_id":"45924-30547826","title":"John Coltrane - A Love Supreme (Monophonic Edition) [LP]","description":"\u003cp\u003e\u003cspan style=\"color: #db2424;\"\u003e\u003cstrong\u003eRelease Date: September 26, 2025\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eLabel: Impulse Records\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCelebrating the 60th anniversary of John Coltrane's masterpiece, A Love Supreme is presented in it's mono mix for the first time in over 50 years. Faithfully mastered from the original analog tapes by Ryan K. Smith, pressed on 180-gram vinyl at RTI and housed in a tip-on gatefold jacket. Experience the surprising impact of A Love Supreme in mono: immediate, intense, unforgettable. Featuring the Classic Quartet of pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones, A Love Supreme is one of the most honest, musical performances put to tape. It's beauty and appeal are timeless.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n  \u003cli\u003ePart I - Acknowledgement\u003c\/li\u003e\n  \u003cli\u003ePart II - Resolution\u003c\/li\u003e\n  \u003cli\u003ePart III - Pursuance \/ Part IV - Psalm\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"UMG","offers":[{"title":"Default Title","offer_id":43640228806707,"sku":"602478371004","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/5935\/9283\/files\/4446772-3445439.jpg?v=1758725327"},{"product_id":"45929-55379743","title":"Polygon Window - Surfing On Sine Waves (Expanded Edition) [3xLP]","description":"\u003cp\u003e\u003cspan style=\"color: #db2424;\"\u003e\u003cstrong\u003eRelease Date: September 26, 2025\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eLabel: Warp Records\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOriginally released in 1993, Surfing On Sine Waves is the second album released under the Warp Artificial Intelligence series (the series also includes the two titular compilations, as well as contributions by Autechre, The Black Dog, F.U.S.E. and more).\n\nSurfing On Sine Waves is also the sole album released under Richard D. James’ (aka Aphex Twin's) Polygon Window alias. The name “Polygon Window” originally appeared as a track name under Richard D. James’ other pseudonym The Dice Man, as the track title for his submission on Artificial Intelligence.\n\nSurfing On Sine Waves was chosen as a title by Rob Mitchell based on a quote by Richard D. James. The album debuted at #2 on the UK dance charts.\n\nThe album was followed the same year with a companion EP titled Quoth. The EP’s title track originally appeared on the album, accompanied by additional songs who first appeared on this release.\n\nFast forward 32 years to 2025, Surfing On Sine Waves (Expanded Edition) sees the pair of companion releases as a single entity, out on vinyl and CD.\u003c\/p\u003e","brand":"Redeye","offers":[{"title":"Default Title","offer_id":43660775456819,"sku":"5056818803017","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/5935\/9283\/files\/68a4878683f1f.jpg?v=1759177909"},{"product_id":"46074-40433","title":"Final Gasp - New Day Symptoms [LP - Blue Splatter]","description":"\u003cp\u003e\u003cspan style=\"color: #db2424;\"\u003e\u003cstrong\u003eRelease Date: February 27, 2026\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eLabel: Relapse\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eLimited blue splatter vinyl LP pressing. 2026 release. Steeped in nocturnal, death rock adventurism, riven with a post-punk anxiety that feels increasingly like the twitching heart of our modern age, and driven by hardcore punk intensity, the second studio album from Boston's Final Gasp, titled New Day Symptoms, does what all great rock records do - not only does it place itself within a lineage, summoning up and amplifying a spectrum of powers from Rock n' Roll lore, it makes them resonate in the here and now. It gives voice to those fears and frustrations lurking just under the surface of waking consciousness and turns them into a rallying cry. Throughout New Day Symptoms, Final Gasp create a potent reaction from the furious and the forlorn, frontman Jake Murphy's vocalizes both a supercharged howl into the void and a remorseful echo back. But where the band's 2023 debut, Mourning Moon, was a concentrated shot of acrid, underground death rock, it's propulsion tanks largely filled with references to Samhain and Killing Joke, New Day Symptoms keeps all the core urgent energy while vastly broadening it's scope. Through the anthemic, acid-corroded vistas of \"Look Away\" and gothic tub-thumping beat of \"Gifted Shame\" to \"No Hand To Lead\" channelling \"Don't Fear The Reaper\" and it's loping groove, New Day Symptoms takes the familiar into uncharted territory and makes the unfamiliar instantly, internally recognisable. With new space to explore, this is an album that feels a mapping of personal trials and dark recesses.\n\n\u003c\/p\u003e","brand":"The Orchard","offers":[{"title":"Default Title","offer_id":44065065467955,"sku":"781676760916","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0064\/5935\/9283\/files\/4483054-3511202.jpg?v=1771696552"}],"url":"https:\/\/seasickbham.com\/collections\/staff-picks-brentons-picks-copy.oembed","provider":"Seasick Records","version":"1.0","type":"link"}